When You've Got The Blues

"Quiet Dusk"

Dusk. Things quiet down. Bird song is amplified. Music carries from the distant pier. The water barely moves. We walk the trail by the local marina and here and there a couple sits on benches overlooking the restful scenery, letting the calm do the talking. I let it call to my camera on this particular night.

Why haven't I used this wonderful low light more often?

We see in colour, we see in black & white, but I have struggled with seeing in 'blues' I'll confess. There are only subtle, gradual changes from highlight to shadow. From one tone to another to distinguish shape and line. If anything, the blues of dusk cause me to really pay attention to the light, where it plays, where it disappears, what and how it illuminates and not as much on good composition to also carry a story.

When you've got the blues that come with dusk's final light, you are forced to sacrifice blatant contrast for more subtle details, in order to preserve mood and perception. And in processing, you have personal considerations galore. Do I remain true to the colour cast? Do I only accentuate the light skimming over the objects in the foreground? Across the water?

I decide it's not necessary to see every bold detail on the boats, we know they are there and that's enough for the image. I decide I love how the light grew intense near the sun's connection to the horizon and keep that intensity. I keep the composition consistent with the lily pads mimicking the clouds above.

When all is said and done, how lovely and quiet the evening was comes rushing back to me. You'll all see something different, which is just as wonderful. It's what I love about the arts period.

Have a great week, and thanks for this ramble in the dusk.

Tall Ships and Opportunities Abound

"Sorlandet in Sunset"

One of our long weekends just past, the family and I wandered down to the waterfront to enjoy the Tall Ships event happening in the Hamilton Harbor. The weather was a perfect summer temp, so the entire Pier and beyond was swarming with people there to enjoy the festival. The tall ships don't dock here every year, so the crowds were thick. As were the number of cameras visible. You knew the local photo communities were about to be flooded with sea faring vessels photographed at dock.

Limited access was the order of the day... many ships roped off for special sailings and tours, others simply docked near food and displays... and throngs of people. It quickly occurred to me that there were only so many places and views and vantage points to be had. And that all weekend hundreds of other photographers would use them all as well. But I didn't let that deter me from getting my own photographs of these carefully restored and historical beauties. And sure, I could have returned with dozens of others in the early morning hours in the dawn, to try to get something different and unpopulated but I was also enjoying some added family time.

I guess I'm posting all this to say that I no longer valiantly try to get "the" shot when I'm out on a ramble... one that no one can compare another to... I think over the last little while I've figured out that I'm always happy documenting what my own eye and camera actually see, or interpret, around me. If I'm experiencing something similar to someone else shooting nearby, so be it. Another photographer I know showed up, saw how limited it all was and decided it wasn't worth it. But why not? Why not enjoy what you see? What speaks to you personally is just that, personal. And if it's personal, you would hope there would also be something unique about it anyway.

So many are obsessed with the "it" shot that no one else can get. But the world isn't exactly getting any bigger. Just the opposite. You are going to ramble and explore and get the same scenes or subjects someone else might have had at some point. Does that mean you pack the Nikon away and pick a new career or hobby? For me that day, it meant noticing the way the sun shot beams through the Norwegian Sorlandet's rigging across from where I happened to pause with my daughter. I took a minute to drink in how pretty it was. It meant if I waited in that exact spot, I could compose for a nearby ship to sail into the frame as well, under a golden sky. Getting the image was a creative and personal experience. And after some slight editing, I can say that this photograph is completely unique to me personally, which is the most rewarding feeling to come away with anyway.

In a world overflowing daily with more and more photographers trying to outdo one another, fabulous images will abound on a more personal level. Don't let anything rob you of that.

Thanks for the prodigal ramble, gang! It's been a while I know. 

Have a good one.

Traveling Back

"Ready To Go Out"

I have neglected the blog as of late, so I thought I'd post a new image today from a previous visit to Newfoundland. I don't yet get to travel often as a photographer, but I absolutely love it. So on days where I can't get rid of the ache to explore and have to stick close to home, I pull out my travel files and explore the memories via images I have yet to work on!

Today's image was taken somewhere on our way to Ocean View National Park and Leading Tickles. There was activity happening on the docks, so I only had a few seconds to get the sky skimming past these vessels lined up in the cove, ready to head out for the morning... I loved the boat in the middle ground with the flag waving proudly.

So now I've shared my itch to travel back... and to be sure I'll be arranging another trip, a longer trip, to magical Newfoundland. But for now, this will have to do while I get back to work! And hey, if you have one place you'd recommend to this rambling photographer, what would it be? I'd love to hear your suggestions!

Have a great day gang!  Thanks for the Ramble!

Night Lights ~ Wide Angle Wednesday

"Marina Magic"

(4 sec.@ F/8, ISO 100, 18mm fl, tripod, remote shutter, late dusk)

I love evening strolls. It's where I decompress, and become reflective. When the weather's just right, I like to come down to the bay front with the hubby or a friend... sometimes I have to make sure I don't have my camera. I know, can't believe I said that either. But it's true. If I have it with me, I can't always relax and walk, I'm so busy seeing shots that I can't pass up. But then sometimes if I don't have it I can't relax, cause I see all the things I should be getting if I only had the camera. Must it be so complex? 

This was taken on a true photo night, when my photo rambling partner Kelly and I set aside time to ramble and shoot the bay at sunset. And it's the best of both worlds... I relax AND get cool night shots.

The more I photograph at night, the more I'm learning about the capabilities of my camera actually. Anyone who knows me knows I'm more concerned with composition, lines, and design than calculating hyper-focal distance off the top of my noggin. But I also know that in order to effectively portray those elements I also need to understand how best to use my gear.

I've discovered I learn about my camera best at night. I take for granted how to photograph daytime scenes in most cases. In ideal lighting, I can anticipate how little the camera will need to work to get a shot. I know how to meter, adjust, shoot and feel confident I got it. But for the image above, it makes me take my time. I begin to understand how aperture affects the lighting, creating blazing flares or star burst effects. How no matter how low my ISO is dialed down, if my exposure is unnecessarily long, I'll get more noise or less detail, so finding the right shutter speed is a precarious balancing act. And for years I had no idea I needed to turn off the one feature that is supposed to help with camera shake or any movement if the camera is on a tripod... the Vibration Reduction feature on long lenses. Simply because it'll want to fight against what's anchoring it. It's meant to give you better control handholding. And not for anchored exposures.

The image above just seemed quiet and a bit romantic. The type of setting I like to stroll through. I made sure I kept the winking lights warm to complement the deep blue. And the extra sky gives a feeling of vast open space surrounding the marina.

For some excellent night photography tips I'd check this out once you're done reading today's post. I know I'll be getting to know my camera better all this year.. out in the dark. Relaxing AND doing what I love.

Thanks for the ramble folks, and have a good one!