"Atlantic Rock II"
Leading Tickles, Newfoundland, Canada
The post today is an image taken from one of my favorite locations from my quick trip down to Newfoundland this past fall. And if I could be honest, this image is very nearly untouched. I say nearly, because some mild high pass sharpen and fade correction was applied to keep the contrast clean, as well as a slight in-camera tilt corrected. I so loved the weather and the scene from that moment in this frame, that I feel to manipulate it further is too much. Does that make sense?
Sometimes I fear that unless an image is saturated beyond logic, has a multitude of filters and apps applied, wild edges, and unearthly hues displayed, we won't recognize beautiful photography when we see it. That's just my fear, you may feel completely different. That's what's great about art.
For me it's still the old adage that you can indeed get most of it right in camera. Grab that cool light the minute you see it, or be authentic in how you expose for that weather moving into frame, be confident in your ability to capture what you love... if it grabbed your eye in real life, chances are you can go without the Velvet Elvis HDR effect later. And have I manipulated the light's intensity, or colouring, or the scene's perspective in my photos at any point.... heck yeh! When my intent for what I needed or desired to convey called for it. But I work hard to make sure it's then, and only then... and with extreme care. And I've said it before, I don't pick up the camera this much so I can spend all day parked at the computer.
Whatever you love to tweak and change in your images, or how much, make sure that what you saw is what we get.... your intent and your final vision for that photograph. That's what it keeps coming down to.
Thanks for the ramble! Hope you all had a fabulous holiday celebrating everything you celebrate!