Art In Creation....

"A Coming Together"

Two separate falls rushing towards the same creek bed below.

St.Catherine's, Ontario, Canada

Am reading Freeman Patterson's latest book "Embracing Creation" this week... if you are not familiar with the legendary photography that is Freeman Patterson's collection, then I strongly suggest you check it out. Today's image reflects perfectly the influence Patterson has had on my own photography over the years. When I wanted to express how these two waterfalls felt like two old friends who finally found their way to the same sweeping ledge and could rush together with glee, I instantly tried to "think like Freeman".

Not that I'm trying to be him. I do have my own specific style that I work in, regardless of whether it's nature or architecture or whatever, but his approach and his style were both very influential to me when I first started photography, and as usual his latest book is full of philosophies and explanations that create more questions than answers when I hold them up to everything I think I know about making images that feel like art. And I love it. In a time when I see so many photographers trying to outdo each other with the latest trend, the latest "look", and completely controlled and manipulated subject matter, super dramatic, always containing some element of digital "wow", he challenges the photographer to find those moments in nature all around you that hint at something fleeting, beautiful, and delightful in and of itself.... with nothing more than your ability to compose around it, to do justice to the quality of light it's resting in, and to use your gear and vision to communicate why it caught your attention, or what it was waiting to reveal in the lens. And for that to be enough.

Again, for me, its that treasure hunt feeling. What will thrill me today? What will nature prompt me to create today? If you look with expectation, creation reveals it's artistic nature... through real colour, real texture, real shadow, real light, natural patterns, wild spaces, and those that inhabit them...

The image above was taken near Ball's Falls Conservation Park. You can't see it, but the actual ledge went in a big arc, so the waterfalls are almost across from each other in this shot, with a great deal of space between the two (the bigger falls almost in the background the arc was so wide). I was kneeling on a dry part of the same lip, shooting over and down. I get dizzy just thinking of it! (Feel free to click on the image for enlarged viewing.)

Everyone is different, but I love looking for art in nature, and after reading 'Embracing Creation" I think I have the motivation for better photographs this year that will not only show off the art in creation, but the art residing within me as well.

Who's up for releasing their inner artist? 

I see that hand... thank you...

Don't Need A Do Over: The Benefit of Moving On.

In a Land Far Away... Central Newfoundland

Ever make a really hard choice, then realize after you do, that it was the most fantastic thing you've done for yourself in a long time?
And it wasn't a matter of being a quitter, or a failure, or a lazy good-for-nothing. But more like the blinders came off, and for the first time you could see all the chaos, all the unwanted clutter and stress, and how it all really wasn't a good fit from the start?

I've decided to, (brace yourselves), move on from the business of photography. This does not mean I'm stepping away from photography itself, because I love working with a camera, I love exploring, I love producing prints... it means I am no longer going to exhaust myself trying to maintain it as a business. You'll notice I didn't say I was "giving up"... because if my 5 years of determined struggling is any indication, I do not fall into the "quitter" category! Rather, I am aiming for something better, for me personally. Something stripped down, creatively productive, and less intense. 

And it feels right. I'm no longer fighting insomnia. I have time to be a wife again. I have time to invest in others. I'm exercising. It's time to invest in the other parts of me that the insanity of a business blocked me from. And I was trying all the things experts said would succeed, believe me. But sometimes it's just not meant to be. When I look back, even in the last year, I spent too much time thinking I had to be the next Jasmine Star/David DuChemin/Ansel Adams combined. It was what everyone around me was doing, and it was what well meaning fans and friends assumed I could easily pull off just cause I can take a good photo. I tried, and tried, and tried some more! Instead I was resenting the camera, which before brought me joy, and I was avoiding clients, ironic since I'm truly a "people person." And the more I thought about it, the more I realized, "I don't need a do-over! What I need is to move on." 

I've been spending the last while quietly phasing it all out, down to where it's just myself, my images, and a few online communities where I can simply grow as an artist, including getting back to blogging. Will I still do the odd shoot for friends?... if they ask. Will I be opposed to selling the odd print? Never... it'd be a thrill. I still have a few clients to finish the odd project for, I'm not bailing on them either. And I will continue to ramble, gosh darn it! It's just not going to be the giant desperate shadow following me around, threatening to overpower me if I don't look productive, feel competitive, or try to beat the trends before they happen. I'm going to do photography for me.

What will you see on the blog?... real life. Big images and simple snap shots. I do have a personal project or two under wraps. And we'll see what happens. With the pressure off, the joy has returned, new experiences await, and I'm free to expand into new territory that was once just a day dream... that's the benefit of moving on.

I'm done with do-overs. Let's move forward.

Would love to hear your stories of when the decision to move forward was the right one and how you felt... let's get some replies up here!

Have a good one gang, and thanks for the ramble...

When You've Got The Blues

"Quiet Dusk"

Dusk. Things quiet down. Bird song is amplified. Music carries from the distant pier. The water barely moves. We walk the trail by the local marina and here and there a couple sits on benches overlooking the restful scenery, letting the calm do the talking. I let it call to my camera on this particular night.

Why haven't I used this wonderful low light more often?

We see in colour, we see in black & white, but I have struggled with seeing in 'blues' I'll confess. There are only subtle, gradual changes from highlight to shadow. From one tone to another to distinguish shape and line. If anything, the blues of dusk cause me to really pay attention to the light, where it plays, where it disappears, what and how it illuminates and not as much on good composition to also carry a story.

When you've got the blues that come with dusk's final light, you are forced to sacrifice blatant contrast for more subtle details, in order to preserve mood and perception. And in processing, you have personal considerations galore. Do I remain true to the colour cast? Do I only accentuate the light skimming over the objects in the foreground? Across the water?

I decide it's not necessary to see every bold detail on the boats, we know they are there and that's enough for the image. I decide I love how the light grew intense near the sun's connection to the horizon and keep that intensity. I keep the composition consistent with the lily pads mimicking the clouds above.

When all is said and done, how lovely and quiet the evening was comes rushing back to me. You'll all see something different, which is just as wonderful. It's what I love about the arts period.

Have a great week, and thanks for this ramble in the dusk.

And Now For Something Slightly Different...

I think it's a pretty wonderful thing when your efforts and passions are acknowledged by your peers! And this week, my blogging efforts (which I realize still need work, don't get me wrong) were awarded with the above "Stylish Blogger Award" by my good friend and fellow blogger Tracy @ http://tracysimmons.blogspot.com/! I was thrilled, thanks Tracy!!!

And we want to keep this random act going too! So, if you'd like to post an award like this and acknowledge your fellow bloggers out there, here's what you do:
~First: Make a post linking back to the person who gave you the award
~Second: Share 7 (random) things about yourself
~Third: Award 15 recently discovered bloggers with this award, or as many as you can.
~Then: Contact these bloggers and tell them they've won an award!


Now for my 7 Random things you might not know about me!
1. I'm such a procrastinator. This is definitely something I've been working hard on since beginning my photography business, but it's still the truth. I work better under immense pressure, so often I let little things go till I absolutely MUST do them or else. One of the few things though that I never procrastinate on is taking my camera out... it rarely leaves my hand. However, could take me months to post the results, hahahaha.

2. I hate to cook. It's messy, it's requires running to the store when I'm comfy at home, and I just don't seem to have the knack... barbecuing I love though (mmmm summer food) and I can make a mean apple pie in twenty minutes from scratch... go fig.

3. I desperately want to visit Turkey. Obviously the photo ops would be awesome, but ages ago I saw a special on the market places and caves way up in the mountain rock face in the desert where you can stay overnight after riding on horseback to get there... and I've never forgotten how amazing it all looked.

4. I love Celtic Music. My family roots are Scottish, and also from Maritime Canada, so I love anything with fiddles, jigs, reels, aires, marches, you name it. I have a family fiddle that's roughly 180 yrs old, and have been known to play it myself ;-)

5. In another time and place (and body type, ha), I think I would have been a dancer. I'm amazed by a dancer's grace and flexibility, and focus too... any style of dance or choreography really mesmerizes me... seriously, it's weird.

6. I LOVE airports. The energy, the anticipation of traveling, the throngs of people, the architecture, the planes lifting off through the massive windows... LOVE it.

7. I really don't enjoy portraits. I love taking photos of my family and friends, because there's already an emotional investment, and I love taking photos of people on the street when I get a chance to... but I have a real respect for portrait photographers. The gear, the pressure, the lighting knowledge I find intimidating. I'll stick with nature, architecture, and design thank you.

So here's some other blogs I would award this badge to. Each one motivates, inspires, teaches, and shares in remarkable ways.
Bob @http://bobtowery.typepad.com/bob_towery/
Tracy @ http://tracysimmons.blogspot.com/
Sarah @ http://myeverythoughtcaptive.blogspot.com/
Heather @ http://heathershomewardjourney.blogspot.com/
Ali @ http://hamiltonmakesart.blogspot.com/
Kelly @ http://stuffiseethingsilearn.blogspot.com/

Anyways, thanks for a ramble of a different kind! And stay tuned, this week we'll have a guest blogger with some photography related tips but from a totally different angle... have a good one folks!

The City Scene...

~Abandoned Decay~

1/30 sec.@ F/5.6, ISO 250, 55mm fl, late day

overcast light, handheld, manual

Urban Decay, Street Photography, Cityscapes... call it what you will, it's one of my favorite genres to work in during the winter. All the different textures exposed, the perfect lines and aging patterns sometimes mingle with lightly falling snow, no crowds impeding your view.

I am particularly attracted to the aging buildings, and old alleyways. Why is that? There's so many handsome, historically restored buildings within the city, but it's scenes like the one posted above that draw me. Closed in, shadowy spaces, filled with wires that crisscross through the image, poles, grids, grates, and iron steps crawling the walls. I've often kept these images to myself, thinking there won't be many like me who'd appreciate the poetry seen within the vertical lines and gritty brick patterns, chipped with ancient paint, or new graffiti. You can't say there's no character within those walls, that's for sure. If you haven't already, I urge you to explore the city limits with your camera in hand!

So what do you need to remember when you decide to take the plunge into street photography? Here's a few things I learned, perhaps they'll help someone else get excited about exploring their city if they aren't already.

1) Use light to your advantage. Early morning side light can give real definition to brick, stone, and glass patterns. Cloudy or overcast days are good for detail, stormy and sunset skies are perfect backdrops for cityscape's in a wide lens. Warm late day light is great for illuminating angles, reflections, or including people on the street.

2) Vary your perspective. Get down low on the ground, use an ultra wide lens, and emphasize the sprawl of a classic piece of architecture. Find a position that lets you photograph looking down on a busy street or deserted alley at dusk. Lean against a soaring tower or condo and distort the receding stone pattern till it looks like it never ends. Use a telephoto and zone in on one rustic detail clinging to the side of an abandoned building.

3) Be safe! Certain locations or times of day require a photo buddy. And they can double as a model in a pinch. Never step backwards into traffic... if the angle you need is in the middle of the street, find yourself a crossing guard or find a new angle. Don't carry so much gear that you'd tempt being mugged for it... I was once asked why I don't carry a tripod in the city. It screams "female photographer with her hands too full, and her attention elsewhere!" On my own, shooting urban decay, I make sure I can raise my camera easily from around my neck or shoulder, and that my backpack is strapped on well. I never stay in one spot for too long bringing attention to myself, and if alone, I shoot in well populated areas. I know this all sounds like common sense, but I've heard stories to the contrary.

I hope this has been helpful in some way. I've met many a beginner that simply shot in every tourist location, and never considered anything but composing from eye level. Add a new element and watch your street photography come alive.

The image above can be enlarged by clicking over it and I'd be ever so pleased to hear what your thoughts are on the image or the topic that accompanies it...

thanks for letting me ramble, and have a good one!



New Directions for a New Year...

Ah, January... when so many make resolutions and build for themselves impossible goals. It's a recipe for failure often times, and I for one try to avoid failure at all costs.
I have been reading David duChemin's book "VisionMongers" and learned a very important principle I'm going to apply to my photography and my business for 2011. And that principle boils down to this; pursuing what you love to photograph, and positioning it where you want it within the photographic community... like giving yourself a road map and prepping for a long trip, you can take your photography to your ideal destination, and have an adventure along the way. The preparation is the focus, even more so than the journey sometimes, because it's in the prep work that you secure a successful journey in the first place.
I find myself wishing I could go back and change things about my photography or my approach to some gigs I wound up with last year... but instead I'm going to spend January digging deeply into my past images, and learning from them... who I am as a photographer, the direction I need to be going now as I mature and grow, and what I need to aim my Nikon at next... not to mention how to update my website, bring in a new logo, and decide what my true market will be that I begin to strive for...
Check out David's site at http://www.davidduchemin.com/  where you'll see his incredible images and come across some excellent books, and perhaps start thinking about where you'd like your photography to take you, and vice versa in 2011.
The image above is called "South Side" and was taken last weekend as I drove around my city. Architecture is one subject I can't help but photograph. You're about to see a lot more of it on this blog!
Thanks for letting me ramble... and with the new year, you'll see me ramble on perhaps a bit more frequently so you all have a peak into my own journey with my photography! Have a good one folks!

2010 in Review....

Had to give my head a shake when I realized that 2010 is nearly done! Wow... and realized I needed this time between Christmas and New Year's to reflect on what my favorite things were about my photographic journey this year. Looking back I'm overwhelmed at the amount of images taken and all the hard work I put in.... but I'm most excited about all the things I learned. Thought perhaps I'd share some with you, and then at the end post my most favorite shot from all of 2010. Right now this sounds like a tall order to me, but I'll do my best.... here we go!
One of my biggest lessons this year I learned while filling my contract from the City of Hamilton, documenting the parks in the area for almost 8 months (the resulting collections are being featured one at a time on my website if interested). Photographing the same five spaces frequently, capturing every seasonal change, during several different times of the day, from every possible angle, for three seasons meant I HAD to be creative, and yet still provide images that provided information and an overview of how the parks evolve through the year. What a balancing act! And after a while, no matter what you do, you're afraid that all the images are going to start looking similar. I learned to stretch my perceptions of what an environmental portrait was, how to keep important detail while exhibiting beauty, and how to use the natural design elements at my disposal (ie colors, shapes, patterns) to enhance what could be a very tedious subject at times since not everyone who views the finished images will be gardening fanatics either! For wide landscape shots, I learned to wait for the right interesting light, while for close detail shots of nature I learned to wait for clean light, less shadow, and the perfect cloudy day with little to no breeze. I hope all these things will be evident when you view the first gallery "Gage Through the Seasons".
The second really important lesson I learned is that learning the technical aspects of your work flow in editing, and compiling said images into collections for clients easily and smoothly is something you should be very familiar with BEFORE you begin the contracted work, whether you're documenting city parks, or shooting extreme sports for a possible commercial gig. Thinking that you know "enough" just doesn't cut it. Many a night I spent tearing my hair out, getting very little sleep, and "misplacing" the odd file only to find it right where I left it weeks before meant wasted time that could have been better used editing the next files instead of falling behind right before a deadline and wishing the magical "work" fairy would just snap her fingers and I'd be saved. Never did miss a deadline, but came very close and in the midst of it all made my family stressed and anxious right along with me.
Lastly, although I really could go on and on, I learned this year that you can't fake doing what you love. I LOVE landscape, nature, and architectural photography, nothing excites me more!  The job for the parks was a blast really... I found it very exciting. But I also caved to the attitude that any job opportunity is good if you can pull it off... and those jobs not within my forte were the ones that I really had to make myself finish, and never really wanted to go back to (with the exclusion of some photo sessions for friends which I thoroughly enjoyed) and it's because they really weren't me to begin with. Now there's nothing wrong with knowing what your weak areas are and improving them to expand what it is you love to do... but you also have to know which areas really suck you dry, are a waste of time and steal your joy in pursuing whatever it is you're pursuing too. I've learned the difference over the course of this year.
In the end, what all this means for my photography in a practical way is that you'll see the pages for portrait sessions and weddings disappear from my site.... and you'll see new things take their place soon in 2011, and in exciting ways I hope. If you're a fan, keep an eye on http://www.c-duncans-photography.com/ in the coming months for new elements to my business.
And as promised, here's my own personal favorite image from 2010.... can't wait to start 2011 with all of you! Thanks for letting me ramble on over this past year, and have a good one!



Dreaming of Fieldcote
by M.Christine Duncan 2010 ~ please click on image for larger viewing, then back click to return to post ~



An Honest Landscape

"Fields Awaken"

I realized looking through my rather sporatic postings, that I had yet to post a photo of one of my favourite genres of photography in a long while.... the landscape. So here's one today that I recently took exploring some back roads in Southern Ontario. It embodies my favorite kind of day. It was early morning, far from the city haze. Most of my fellow photogers that have ever shot with me know how much I love a great lazy sky, jewel toned with a white cloudy depth that evokes all the beauty to be found on such a day. The air crisp, the sun yet to reach it's killer heat of summer. And a ruggedly honest scene, nary a skyscraper to be found. An honest to goodness landscape.

I shot this at 1/200 sec.@ F/8, 55mm focal length, ISO 160, handheld from the side of the road. My trusty kit wide angle zoom, circular polarizer, and early bright light. The only true editing I did was to tweak the RGB channels a tad in PSPx2, and some unmask sharpen.

I personally like the old tracks running through the soil in the foreground... they lead your eye to the grand tree or the tiny shed respectively. And like I said, it represents everything I love about hopping in the car spontaneously, all the windows down, tunes cranked, and wandering the back roads enjoying the simple scenes along the way.

Read an article this week in PopPhoto mag, about another photographer who's landscapes are exceptional... Glenn Oakley whose work can be found at http://www.oakleyphoto.com/. He commented on the way to really "push it (a landscape) further, is to bring people in." He calls them animated landscapes, and for the most part he has someone ready to ride, pose, or wander into the shot.... and I noticed he's right. Makes a difference to what is already a wonderful scene. Having read about this and seen his amazing images, I feel compelled to shoot my next landscapes with an attempt to include people. To give them a little push. (Not that anything I shoot will be as remarkable as Glenn's, and I hope he will not mind that I've included his talent here in my blog. But remarkable photographers will always inspire me to strive harder to take the best images I'm capable of.)

Will I connect with the resulting images just the same, or will there be a refreshing difference? Will you? We'll find out. My personal challenge starts tonight.

Thanks for letting me ramble on folks! Have a good one!

Back From The Grave

"Goodbye Goodyear"

------------------------

The image above was the result of a 7 hour photo trek of area cemeteries. Sorry, you probably just did a double take and I don't blame you in the least. But it's true. Myself and another wonderful photoger friend of mine were intent on exploring hidden back roads in search of ancient cemeteries in the middle of fields and hidden in pine tree topped knolls ... and we DID explore about 5 or six we never knew existed, full of old stones dating back to the 18oo's. In Southern Ontario, you can drive in almost any direction from a major city center for about twenty minutes and suddenly you're in the country!

What in the world does all of this have to do with the resulting image above?

Have you ever gone in search of something, and instead come back with an unexpected find that makes your day? In our search for forgotten graves, full of history, and a touch of mystery (of which I will post images in future blogs) my friend and I came across another kind of "decay". Tucked behind grassy inclines, or parked in the corner of fields close to the road looking as if they had limped over on their own to collapse one final time... were cars, trucks and old parts that on this day probably excited me far more than my photo partner, who graciously pulled over for every find and patiently explored the rusty ghosts with me on our way to our next grave discovery.

This shot was taken almost mid day, with my telephoto lens at 1/500 sec.@ F4, ISO 100. I didn't mind the harsh direct light (nary a cloud to be seen) for such a rusty, gritty subject as it seemed to suit and enhance the dismal condition of the old van parked in the dirt. And it was the first in a series of shots I couldn't wait to get home to review... and can't wait to post for your future viewing pleasure.

A special shout out and thanks to my photo buddy Kat for our fun adventures yesterday, you rock. Link to Kat's gallery to come...

Leave comments by clicking the comment option below this post :-)

Thanks for letting me ramble, have yourself a good one folks!