You Just Know ~ Telephoto Tuesday!

"Keep Me Hanging On"

It's when the light is doing something magical and it shouldn't be. It's when you spot a surprising element in the middle of chaos. It's when it'd be easier to leave all the gear packed away, and you stop for "one more shot" anyway. It's when your husband is anxiously waiting to get back home to his football game, but you know that if you don't take the shot you'll regret it way longer than he will for missing the first 2 minutes.

All are examples of those moments when you press the shutter and you just know it's the one shot that made the trip worthwhile. You know what I'm taking about. It's the discovery of a moment you know you must get or you'll forever remember the "one that got away". It's that simple.

Today's image was that moment for me. Walking the Albion Falls trail in Hamilton, there were golden leaves everywhere, and we walked the whole trail and back taking nice pictures of the paths, and the light, and the trees... and I had packed up the camera heading back to the car, tired but satisfied with the day... until I spied this leaf hanging on for dear life, caught on a low branch in the midst of it's fall. It was neat looking but I was done shooting. It had this fabulous backdrop of chestnut trees and golden leaves but I was done shooting. It had this wonderful texture and color but I WAS DONE shooting. I stepped away from it... and then turned back, mumbling to myself I was probably insane, got out the tripod, the camera, the telephoto lens and set up the shot. The sun suddenly came out one last time and there it was. I got a few shots off, the sun dwindled, and I was done. Packed up the camera and tripod, and emerged from the trail explaining to the husband where I'd briefly disappeared to. He knows me too well to comment.

But I just knew that this was my favorite shot of the day. And it's everything I love about photography. In fact, every photographer I know is driven by the thrill of discovery at some point. It's what gets their adrenaline pumping. Could be a sudden elusive moment in a studio with a model, could be out in a duck blind when an unexpected species wanders by, could be when your toddler suddenly blows you a kiss when she never has before... exciting right? And you just know that's the shot.

Analyse it later, but get that shot now. It's okay to get a shot "because you just know" it's the shot you've been waiting for. You know?

Thanks for the ramble gang, and have a day of discovery wherever you are!

Bathed in Light ~ Wide Angle Wednesday!

"Incorrigible Path"

I love autumn. The light alone this time of year makes any scene or subject glow. I find it very difficult to stay stuck behind my desk when afternoon rolls around, because the light is magical. In fact right now I'm duct taped to my desk so I can't leave the work I have to finish this week instead of traipsing around the escarpment with the Nikon.

It's painful. You have no idea how it's killing me to be stuck inside right now.

The next best thing is to post images from my latest romp over by Albion Falls. This is how I'll have to get my fix. Both images are centered around how the light looked along the trail. Sometimes we forget to make the light the subject, the star of the show. It seems it'd be easier to remember to use it considering that light is the very basis of any photography. Without light, there's nothing to see.

Sounds simple but you have no idea the amount of comments I get where someone says they want to know what caused me to stop and see a certain subject or scene. My answer? It's almost always the light.

"Canopy of Light"

In fact if you review your own images and find yourself consistently thinking something's missing, you may need to pursue better light. More interesting light. Creative light. Pursue the light and you'll find your photography will improve vastly. It's simple but too many try every other solution first. Instead they just need to return to a scene when it's bathed in interesting light.

All this talk of light and photography is making me fidgety. So I must sign off before I run into the street with my camera yelling "I'm free at last!!!"

The sooner I get my work done, the sooner I can get rid of all this irritating duct tape.

Have a groovy day gang, and thanks for the ramble.

Sunset Walks ~ Wide Angle Wednesday

"Lovers Light"

(1/25 sec.@ F/16, ISO 250, 20mm, Exp.Comp+0.3)

Just enough light. Anyone else ever struggle with how you know you have just enough light? Enough for it to still be a correct exposure, but not so much that you can't follow your creative instinct or vision. And how subjective can the whole dilemma get, since no one can truly interpret how you saw the light for that particular subject matter anyways, or interpret your interpretation... anyone else totally confused now or is it just me?

I fell in love with this light last night while on a walk with another photog addict/friend. It stopped me in my tracks. Literally. My pal Kelly will tell you. She nearly slammed into the back of me. (Well, that could be a slight exaggeration). It was the sun bursting through the trees and lighting a slight curve in the trail. Magical looking. And I could have bracketed this shot so that later in editing I could have layered a few shots together to carefully bring out details in all the darkest areas of the frame... but I felt it would defeat the purpose since I composed to include certain dark areas within the shot so that the light was the subject, not the entire area. This time anyways. Because how you want to represent the light, especially in a landscape, really is subjective. And next time I may very well decide to make the scenery the subject... in which case, I would bracket the shot to get several different exposures that I can combine later to make the most of the light everywhere.

But for now, I like how the path is lit, and slowly fades away... it has just enough light. I think.

Back to work I go, but thanks for the ramble!

Expect the Unexpected ~ Exploration Thursday!

"Marsh Light"

(1/50 sec.@ F/9, ISO 200, 40mm fl, late evening light)

Let me set up the scene. Sitting editing at my desk last night, supper ready, I look out my window for a moment and what do I see? The most massive clouds moving quickly across the sky. I look at the cloud anxiously. If I time this right, I can have dinner on the table in two seconds, hubby will walk through the door, my kit bag will be ready, and out the door I'll go after scarfing down said dinner... to chase the clouds. I hear the car pull in and is that a nervous twitch in my right eye? I can barely contain myself. I NEED to get pics of those clouds lit so gloriously in the lowering sun!

Faster than you can say "Bob's yer Uncle" we wolf down our donairs, and hubby and I fly out to the car yelling something to the kids about not blowing up the house or losing the dog and off we go. I remember that not far from the house is a new trail that leads to a cool walking bridge over the highway to the beach... the clouds will look great from there!

Move ahead a measly ten minutes. The clouds? Gone. They've rapidly become a smear of grey across the distant sky leaving a hazy blue and nothing else. Can you say "drat!" I walk deflated across said bridge and wonder if I'll just have to stand around for another hour and at least get some night shots of the light trails of hundreds of cars on the highway beneath us driving into the approaching night. But man I wanted those clouds.

If there's one thing I've learned pursuing photography for the last five years, it's been to never restrict yourself to what you think might be waiting for you. Always be ready for the possibility that instead of what you envisioned, there might be a surprise waiting for you. There have been days I thought I was heading out to shoot landscapes, and instead I got hung up on some cool details I spied at the side of the road en route. Went to shoot architecture, and shot dogs playing in puddles instead. So as I stood on the bridge, I turned to see the view from the east... and found marshes rising up on either side of the highway along the trails. And if they weren't bathed in the most lovely sunset light, grasses shining, water with golden ripples. And if I poked my lens through the rungs of the bridges rails, I could get the view unhindered and from 40ft up.

I walked away with a ton of shots. The reeds in the water made little paths that zigzagged through the frame, natural layers the eye could travel around, and the light kept deepening. You'd never know traffic was roaring past less than 30 feet away... and the whole time I was reminded that I need to expect the unexpected when I head out with my camera.

Have a great day folks! Thanks for the ramble and I hope you all find something unexpected to photograph this week too!